Friday, May 24, 2013

Organize Your Memoir/Life Story - or Other Writing!

I've been teaching a six-week "Write Your Memoir" class through the Cameron Art Museum here in Wilmington, NC. I love teaching through the Museum School - we get terrific students. (I'll be teaching "Nature Writing" in the fall - details to follow!)

One of the challenges that memoirists face is organization, particularly those who are writing "legacy memoirs" meant primarily for their family and friends. The best way to pull together a large amount of information is, of course, a critical question for all writers, but for memoir writers it seems to be particularly pressing. This is so, I think, because the obvious choice when writing about a life is to start at the start and write to the end. In other words, follow the chronology. But often that is not the most interesting structure for the writer or the reader.

Happily, the alternatives are virtually endless. We could, for instance, arrange our stories around
  • Seasons or Months
  • Locations
  • Firsts - first kiss, first homerun, first time away from home....
  • Houses or other places that you have lived, short-term or long
  • Work, paid and unpaid
  • Learning, school and elsewhere
  • Passions – causes, hobbies, work, people….
  • many more!
For instance, suppose you work through the months, beginning with the month of your birth or of some other significant event. I'll pick June, the month in which I made my first overseas trip. Now I would use a variety of creative tools - freewriting, brainstorming, mind mapping, "photo diving," and more - to explore what June has meant to me at different ages. For starters....

  • school's out!
  • weather is warming up - swimming! softball! horseback riding and hiking with my dog without heavy jackets!
  • my dad's birthday
  • my first overseas travel - Greece & Egypt (and, later that summer, Lebanon & Syria)
  • travel as a kid to Maine, to California, to....
  • my grade-school friend Robin's annual birthday bash
Any of those topics can in turn be plumbed for lots of material. Many will work, too, for other kinds of writing - essays, poems, and fiction. After all, everything is fodder for the writer's imagination!

Here are some more resources that you may find useful. They are aimed designed for memoirists, but I have found some of the questions very useful for developing fictional characters and for thinking about other kinds of nonfiction writing and poems.
 

The Manifest Your Potential may be a bit New Age touchy feely for some of you, but the section on identifying themes that are strong in our lives is fascinating. The link I am providing will take you to a page that lists 28 common life themes - if any (or all) interest you, click on the heading and it will take you to a more detailed discussion of that theme. Those that appeal may inspire your writing, and the themes themselves may help you find a way to organize your life story or even more focused memoir.
 
This article from Writers' Digest offers some thoughts on organization and a few short examples of memoir writing. (If nothing else, read the last one, "If the Boot Fits, Wear It." :-)
 
Many writers have written books and articles to help memoir writers. William Zinsser is one of my favorite writers on the craft and mechanics of writing; here's an essay of his on "How to Write a Memoir"
 
The Life Story pages from the University of Southern Maine offer long lists of questions, guidelines for interviewing other people, and a lot more. I took some of the material I presented in class from their site.
 
~~~~~~~~~
 

Have a creative weekend!

Please come back Monday for a special Memorial Day post.

 

 

 

 



Wednesday, May 22, 2013

Life, Writing

Spring 2013 has been a tough one. Between catastrophic human-made and natural events and the venom so many people seem determined to spew at their fellow human beings, it makes me sometimes want to turn it all off, unplug, and wrap myself in earth, sky, sea, and the company of animals. And, of course, the good people who really are out there.

For today, though, I'm making this brief. I'm going off-line. This afternoon I will teach my class on memoir writing, and enjoy the company of a terrific group of people who come together each week to write and discuss. I walk out every week feeling inspired. This morning, I plan to read the copy-edited version of my forthcoming mystery, The Money Bird (more on that at my website). After my class, a walk in the woods or on the beach, whichever my fancy at the moment says is right.

But this is a blog about writing, so I'm going to invite you to read (or reread) my post "Writing What's Difficult: Finding the Balance." It fits into this week's news of devastating storms, and so much other news of the past few weeks. Then do something kind for someone else, and something kind for yourself.


My old Aussie boy Dustin
(Champion Brookridge Dustin U, CD, CGC, TDI)
and his 4-week-old son Taz.
Kindness incarnate.


 

Monday, May 20, 2013

A Picture May Prompt a Thousand Words


We've all heard that a picture is worth a thousand words. Here's another angle on that old saw: a photo (or other visual image) may also help inspire and expand ideas. I'm teaching a memoir-writing class right now, and each week I have offered my students some new tools to help them access memories and to enter deeper into the events they want (or need) to write about. Last week, I had everyone bring a photo to "explore" through some questions.
 
This exercise will work, too, for writers in other genres. For the poet, digging into an image, whether a personal photo or a found image, can pull up fascinating connections and inspirations. For the fiction writer, images of settings, people, animals, or objects can serve to inspire short stories or scenes in longer works, especially when the narrator or a character answers the questions. An image might even provide the kernel for a longer piece of writing. For nonfiction writers who work outside of memoir, images can inspire deeper explorations.
 
So if you're looking for a way to go deeper, or wider, or to find new ideas, try "interrogating" a photo or painting. Start with these questions:
 
  • Where is this?
  • When?
  • Why were you there?
  • Who else was there?
  • Did you go there more than once?
  • Did something special happen there?
  • Is some object in the photo significant to you?
  • Is a person or animal in the picture significant to you?

 
Now dig deeper:
  • What do you hear?
  • What do you smell?
  • What did you eat or drink?
  • What does it taste like?
  • What’s the weather like?
  • What time of day is it?
  • What are you wearing?
  • Who else is there?
  • What do you feel with your hands, your feet, your skin….
  • What emotions do you feel?
And so on....

Give it a try. Let me know how it goes. Send a picture of youself writing!

Friday, May 17, 2013

When Fiction Turns Real (Mostly) - Guest Author Richard Brawer on Trouble in the Far East

Welcome back to author Richard Brawer, who wrote last October about the Inspiration for his novel Keiretsu. Today Richard tells us more about the history behind his book, and shows how once in a while reality follows fiction.  ~ Sheila


When my latest novel, Keiretsu, was released in December 2012 I promoted it as chilling fiction that may eventually become reality.  Never did I think that reality would arrive so soon. 


I wasn’t writing a political dissertation, rather a conspiracy novel with dynamic characters, as it is the characters in conflict that keeps the reader turning the pages.  As you will see below after I tell you what inspired Keiretsu it is now not only a novel with great characters, it is, as the cliché saysripped from the headlines.
 

Keiretsu was inspired by numerous newspaper articles about China’s growing military might and its contentious and intimidating relations with its Asian neighbors especially Japan.

As I read these articles, I started asking myself questions. What do I know about the historic relationship between China and Japan? I know that China and Japan have had 750 years of hostilities.  In 1274 and 1281 under Kublai Khan, China tried to invade Japan and failed both times.  However, Japan has defiled China with the Rape of Nanking and other atrocities during WWII for which Japan has yet to apologize. China is still fuming over Japan’s brutality during WWII. Will China try to exact its revenge on Japan? My answer was, “Eventually, yes.”
 
Saumrai, c. 1860
How could China attack Japan today with the U.S. vowing to defend Japan? Could the U.S. stop China? According to the newspaper articles, my answer was, “No.”
 
The U.S. is not going to war with China. It would be like Napoleon’s invasion of Russia. The country is too vast, the lines of supply too long even with today’s advanced military expertise, and China’s military is very strong.
 
Most importantly: would Japan continue to put its defense in the hands of the U.S. even though Japan is well aware China is developing missiles and a huge army that will eventually be able to counter U.S. forces including aircraft carriers? My original answer was, “Yes.”
 
Or would they build nuclear bombs to protect themselves? My original answer was, “No.” However, as I read more and more essays and coupled them with another historical fact about Japan―It only took Japan fifty years to go from fighting with swords in 1853 to become the most powerful military in Asia by 1905―my imagination jumped into high gear, and I reversed my answer to questions 5 and 6 to, “No” and “Yes.”
 
Japan already has vast uranium enriching facilities for their nuclear power plants and could easily enrich uranium to bomb quality in a short time. Japan also has a space program so they have ICBMs that can deliver the bombs.
 
However, there was still one other factor in the equation that might again reverse my answers. Considering Nagasaki and Hiroshima and now the Fukushima nuclear power plant disaster, would the people rebel against their government building nuclear weapons?
 

How could the people be persuaded that nuclear weapons are the only defense against an ever growing and intimidating China?
 
I am not saying the Japanese people are easily manipulated, but despite all their outward appearances of having a democrati government and competitive companies, in times of crises, the Japanese people have always come together as one single minded group.  They even have a word for it― ittai―come together as one body.
 
But how could I develop a novel from these questions and answers without it sounding like a treatise on Japan/China relationships or the reader saying, "Ridiculous!"
 
I needed to change course and think about the questions that would pop into the reader’s mind.  Fiction has to have some basis in fact, and the facts in those essays have been widely reported.  If I omit something that is obvious, the reader will be turned off.
 
Some of those obvious reader’s thoughts would surely be:
 
With the U.S. demanding North Korea and Iran abandon their nuclear weapons programs, if the Japanese government were to start a nuclear weapons program, the U.S. would most certainly demand Japan cease and desist. 
 
Japan relies on the U.S. for its security.  If the U.S. gives Japan an ultimatum, Japan would have to acquiesce because if the U.S. threatened to withdraw its security pact with Japan, Japan would be at the mercy of China.
 
So, what would Japan due to thwart the expected United States’ demands to cease and desist? 
 
When I had logically answered all my questions I developed the plot. 
 
Toshio Nagoya, the ultra-nationalist CEO of Japan’s largest Keiretsu plots to build nuclear weapons to protect his country from a menacing China. Using his cousin, John Nagoya, a lawyer and second generation Japanese-American, they build a large political action committee to thwart the expected United Sates’ cease-and-desist demands.  
 
That’s the catalyst that draws three families, Toshio’s, John’s and Senator Morrison’s, intertwined by blood and marriage, into conflict with each other, and how conspiracy, lust, infidelity, revenge, betrayal and murder destroy those families. 
 
The reality: A headline in May 2, 2013 “The Wall Street Journal” read “Japan Nuclear Plan Draws U.S. Ire.” Quoting from the article: 
“Japan is preparing to start up a massive nuclear-fuel reprocessing plant over the objections of the administration…The Rokkasho reprocessing facility is capable of producing nine tons of weapons-usable plutonium annually, enough to build 2000 bombs.”
 
The article goes on to say how the administration objects to this reprocessing. 
“Allowing Japan to acquire large amounts of plutonium without clear prospects for a plutonium-use plan is a bad example for the rest of the world.”
Paragraph two makes up the bulk of the novel, the conflict among the characters, and what the reviewers liked about the book.
 
 
 
Richard Brawer writes mystery, suspense and historical fiction novels. When not writing, he spends his time sailing and growing roses. He has two married daughters and lives in New Jersey with his wife.


Read an excerpt, a character outline, full reviews and the inspiration for “Keiretsu” at my website: www.silklegacy.com


 

Wednesday, May 15, 2013

Death and Transfiguration by Gerald Elias (Excerpt)

On Monday, author Gerald Elias confessed. He is, indeed, a mystery writer. Today, he generously shares the opening chapter of his latest book. Enjoy! ~ Sheila


Death and Transfiguration

 

Chapter 1

It had even felt like a Thursday.  Days of the week, mused Jacobus, are like keys in music, each possessing its own personality.   Thursday.  Thursday, he considered, that would be B-flat Major.  Not brilliant like A Major, not friendly like G Major, not even the nestled warmth of F Major.  Certainly not morbid, like G Minor, the key of the “Devil’s Trill Sonata,” “Danse Macabre,” and the slow movement of “Death and the Maiden.”  What day would G Minor be?  Not Thursday.  Thursday didn’t feel like death; at least, not any more than usual.  Jacobus didn’t know it for a fact, but he would have bet the Spanish Inquisition did not start on a Thursday.  Thursday.  Just…B-flat.  It didn’t matter whether the summer heat was melting the tar on Route 41 or whether you were freezing your ass off going outside for firewood on a frigid February night, you can always tell when it’s a Thursday.  Today’s steamy, mildew-inducing drizzle had been no exception.  At least until the phone call.

            The summer morning had started out like most others.  Jacobus, sweat dripping down his back, twiddled the pawn between his thumb and fingers.  It was the one piece on the board that hadn’t started to gather dust because everyday since Nathaniel had left for Europe Jacobus had been twiddling that insignificant chunk of wood between his fingers, as if that action alone might somehow divulge how it was he had managed to snatch defeat from the jaws of victory when, earlier in the contest, he had been certain triumph was his for the taking. 

            To be brought down by a lowly pawn!  Once again Jacobus felt its pedestrian curves and grooves, no different from any other pawn.  To have allowed Nathaniel to queen a pawn, exposing his own king, rendering it helpless and defenseless!  In a breathtaking turn of events he had resigned in ignominy.  “Yeah,” he thought, “I could have taken the pawn with my queen, but then she would have been captured by his knight, and the game would be over in three more moves.  Four at the most.”  It wasn’t that Jacobus minded losing—actually, he did mind, terribly; it was the humiliation of losing in so precipitous a demise that Nathaniel had even refrained from gloating—at least externally—no easy task for someone who had oft been the object of Jacobus’s unrestrained victory celebrations.

            Jacobus refused to use his blindness as an excuse for not “seeing” the impending disaster.  Though they used black and white pieces for Nathaniel’s benefit, they used pieces from separate sets of different size so that Jacobus could always tell which were his when feeling the board.  They never bothered with the chess player’s rarified vocabulary, “black Q4 to white K5,” or whatever terminology it was they used.   Rather, Nathaniel would say, “Just moved my bishop three spaces toward the kitchen,” which was a lot easier for Jacobus to remember.  Nevertheless, Nathaniel’s miniscule white pawn had leveled his oversized black king.  An ironic twist here, thought Jacobus, considering their respective skin colors and sizes.

            As he had done every morning upon waking for more than a week, he mentally reenacted every move, trying to ascertain what he could have done differently.  Every one of his moves had seemed so well-reasoned, so well-calculated, taking into account his overall strategy amid the local skirmishes, the majority of which he had won.  Yet somehow, unbelievably, Nathaniel had managed to navigate his pawn all the way through to his end of the board.  Though consumed with self-loathing for his failure, Jacobus mused upon the miraculous metamorphosis of the pawn: a dispensable, almost worthless foot soldier, finding itself in the right spot at the right time, becomes, by some mysterious alchemy, a queen, the ultimate power broker.  It made no sense.  What anonymous medieval chess master had come up with that rule? It was stupid, Jacobus concluded, because it simply never happens in reality.  GIs don’t become Jackie Kennedy, and she wasn’t even a real queen.  It was the only rule in chess he could think of, in fact, that didn’t have its reflection in the real world. 

            Then the brittle ring of Jacobus’s ancient black rotary-dial phone had shocked him out of his petulant musings.  He hadn’t gotten a call in days, and that one was a wrong number asking for the Williamsville Inn.  When Nathaniel had left for Europe, Jacobus had pulled the plug on the answering machine that his friend had imposed upon him.  He had told Nathaniel that an answering machine was worthless because even if he got any messages he wouldn’t answer them, but just to humor him he let Nathaniel install it.  Now it was uninstalled.

            Jacobus reached for the phone.

            “Yeah?” he said, annoyed at being disturbed in the middle of self-flagellation.

            “Dr. Jacobus?”

            “There’s no Dr. Jacobus here,” he said, and hung up.

            Bored with flogging himself over the pawn cum queen, with his right foot he located his cane on the floor beside his chair, retrieved it, and poked his way into the kitchen.  The path was so familiar from the pattern of audible creaks in the wide pine floorboards that he could easily have navigated with his ears alone, without the cane.  Jacobus needed the cane, however, for other purposes.

            The single-burner electric hot plate sat on the kitchen counter next to his empty mug—the twenty-four ounce one with the Caffiends logo that Yumi had given him.  He turned the dial, listening for the click to know it was on, until he could feel the little pointer positioned at two o’clock.  If he turned it to three o’clock it would boil the water faster, but it would short out his antediluvian fuse in the basement, and that was a pain in the ass to replace.  Next he turned on the faucet and filled the mug, sticking his finger in it to know when the water had reached the top.  Then he poured the water into the teakettle that that he had owned longer than he could remember that was next to the mug, and set it on the hot plate.  He opened the cupboard above the counter, and using the point of his cane, felt for the two pound can of Folger’s instant coffee among the other cans, all of which he could identify by their shape and/or size.  He would have preferred to keep the cans on the counter so he wouldn’t have to reach for them, but they attracted the mice, even with their lids on.  The mice scared his gargantuan bulldog, Trotsky, which Jacobus couldn’t care less about, but he did care that they would shit all over his kitchen, so he kept the cans in the cupboards.  He used to keep peanut butter baited traps on the floor, but after he got Trotsky, the dog had found the treat irresistible, and, with a brain capacity inversely proportional to his stomach’s, was unable to make the cause-and-effect connection of licking the peanut butter and the intense pain on his tongue that inevitably followed immediately thereafter.  So now Jacobus kept the cans in the cupboards.

            He maneuvered the can with his cane, and when it was an inch over the edge of the shelf, deftly flicked it off and caught it in his left hand.  He did the same exercise with a plastic jar of sugar.  By the time he had emptied two teaspoons of coffee and one of sugar in his mug with the spoon he kept in the can, the water was boiling, which he could tell from the foghorn-like moan the kettle gave off.  He touched the spout of the kettle to the lip of the mug so it wouldn’t spill, and poured.

            While the coffee cooled enough so he wouldn’t burn his lips off, he yanked open the recalcitrant door of the refrigerator—perhaps of the last of its species, that needed defrosting, though he never bothered—and inhaled deeply.  As soon as he opened the door he heard the predictable clattering of Trotsky’s claws as he skidded around the corner into the kitchen.

            Slim pickings.  He fondled a half-empty bag of L’il Smokies smoked sausages and put that back.  He felt an onion whose soft spot had grown alarmingly since yesterday, and backed away from an open can of sardines.  He took one sniff of a prehistoric chunk of liverwurst that had an unnaturally mossy coating and with heavy ambivalence let it drop from his hand, assured that before it hit the ground Trotsky would catch it in his gaping maw, swallow it, and be beg for more.  All that remained were condiments of an undefined nature and an open bottle of Rolling Rock.  Unbidden came Jacobus’s recollection of the few days he had spent at the home of Yumi’s grandmother, Cato Hashimoto, aka Kate Padgett, in their mountain home in Japan, and of the profusion of delicacies that had been assembled before him, one after another, for his alimentary consideration. 

            Jacobus bruskly banished that thought from his mind, and, supplanting it with serious consideration to the Rolling Rock, calculated whether it was the appropriate time of day for a beer. 

            The phone rang again.  He pulled his handkerchief out of his back pocket and wiped the sweat off his head.  After the fifteenth ring he decided that his sanity was worth more than his privacy.

            “Yeah?”

            Mister Jacobus?”

            “Yeah.”

            “This is Sherry O’Brien.”

            “So?”

            “I’m the acting concertmaster of Harmonium.”

            “As opposed to the juggling concertmaster?”

            “I was wondering if I could come play for you.”

            “Why?”

            “I’m auditioning for the permanent concertmaster position in a few days, and you’ve come highly recommended.  The orchestra’s here at Tanglewood for the week and since you’re nearby I thought, well, I thought I’d give you a try.  I’m happy to pay whatever your fee is.”

            Jacobus considered his schedule.  In the afternoon, his former student and surrogate daughter, Yumi Shinagawa, was going to play for him in preparation for the same audition.  When was the last time he had seen Yumi?  He couldn’t remember.  Almost a year?  Tomorrow he had nothing.  The day after that he had nothing.  The day after that…Actually, his calendar was clear for the rest of his life, however long or short that would last.

            “I’m very busy,” he said.

            “I’m sure you are,” she pursued, “but I was really hoping…”

            He didn’t hang up but let the silence linger.

            “Maybe tomorrow afternoon?” she continued, picking up her own thread. 

            “When?” he asked.

            “Today and tomorrow we have morning rehearsals at 10:00.  Would one o’clock be okay?”

            “You know how to get here?”

            “I’ve got GPS.”

            “Then maybe you should have that treated first.”

            “And your fee?”

            “Incalculable.”

            Jacobus hung up.

            From what O’Brien said, Jacobus figured it must now be about 9:30 AM.  He removed the Rolling Rock from the fridge, chugged it, and took his coffee to the rusty iron lawn chair that had once been painted green that sat in front of his house, wondering along the way why the acting concertmaster of the world’s most famous orchestra would ask for a lesson from a total stranger three days before an audition.  And why Thursday suddenly felt like G Minor.
 
~~~~~~~~
 
 
You can find Gerald Elias's books HERE. For more about Elias's books and musical career, visit Monday's post on Music to Die For, fine Elias online at www.geraldelias.com or www.facebook.com/gerald.elias - and you might want to spend a few minutes listening to Elias talk and PLAY at Gerald Elias at YouTube
 
 
~~~~~~~~~
 

Come back Friday - author Richard Brawer discusses how news sometimes follows fiction. Here's a review of his book Keiretsu at Buried Under Books.

 
 
 
 
 

 

Monday, May 13, 2013

Music to Die For with Guest Author Gerald Elias

Creative people are often creative in multiple ways, and my guest today is proof of that. If you need an internationally acclaimed concert violinist, conductor, composer, and teacher, an award-winning author, or (although this talent isn't usually mentioned in his bios) very funny guy - Gerald Elias is your man. So read on to find out why he decided to start killing people. On paper, at least. And come back Wednesday for a special treat - the first chapter of Elias' latest mystery, Death and Transfiguration. ~ Sheila


Music to Die For

by Gerald Elias

I’m innocent! I swear it! I didn’t set out to be a mystery writer. I’m a victim of circumstances!

It all started out so harmlessly. It was 1997 and I was on sabbatical leave from my position of Associate Concertmaster of the Utah Symphony and my wife, Cecily, took a year off from her 6th Grade teaching job. We hauled Kate and Jake out of their junior high and we holed up in a farmhouse in the Umbrian countryside. (Not a bad place to hole up for a year, I have to admit. Ask me about my porchetta recipe.)

My sabbatical projects: 1) learn a bunch of violin concertos that had gathered dust on my music stand; 2) compose a string quartet; 3) write a violin method book, covering universally encountered problems students have: playing in tune, performance anxiety, preparing for auditions, buying a violin. Every chapter would be a violin lesson.

1) Check. 2) Check, and 3)…hold on one golldarn minute. I remembered some of the violin methods I read as a kid. Ho-hum. Snooze time. I had a better idea. Wrap a story about a stolen Stradivarius around it. I’ll call the book “Violin Lessons.” Ooh! How about a murder? A sexy violin teacher strangled by her own G-string. (Violin G-string.) Who’s going to solve it? Hmm. Let’s try a crotchety, over-the-hill, blind violin teacher. No, it’s not autobiographical. (Besides, I’m not blind.) What to name him? My son is Jacob Daniel. How about Daniel Jacobus? (There’s also a J.J. Jacobus in my family tree who was killed in the Battle of Shiloh—fighting for the South.)

Fast forward twelve years and twice as many rewrites. Violin Lessons has morphed into Devil’s Trill. Most of the technical violin stuff has mysteriously vanished, though we do delve into so many dark corners of the classical music world that concertgoers are now accompanied by personal bodyguards. Daniel Jacobus has become so irritatingly popular (crusty on the outside but deep down he has a heart of gold…maybe) that he’s also the protagonist of Danse Macabre, Death and the Maiden, and Death and Transfiguration, all published by St. Martin’s Press. All four titles are pieces of music that have to do with death. It has oft been said that music soothes the savage breast. One could also say, music kills. But I didn’t. I’m innocent, I tell you.
~~~



Gerald Elias brings over thirty-five years as an internationally acclaimed concert violinist, conductor, composer, and teacher to his novels that take place in the murky recesses of the classical music world. He has been a violinist with the Boston Symphony and associate concertmaster of the Utah Symphony, and has concertized on five continents. He draws upon his intimate familiarity with the unseen drama behind the curtain to shed an eerie light on the deceptively staid world of the concert stage.

In addition to being an essayist and writer of short stories, Elias is author of the award-winning Daniel Jacobus mystery series (St. Martin’s Press). His first novel, Devil’s Trill, was selected by Barnes and Noble for its Discover: Great New Writers 2009 catalog. His second, Danse Macabre, was named one of the top five mysteries of 2010 by Library Journal and Book of the Year in fiction by the Utah Humanities Council. The third installment of the series, Death and the Maiden, was released in 2011, and his latest novel, Death and Transfiguration, received three starred reviews.

A native New Yorker, Elias now resides in Salt Lake City, Utah, and West Stockbridge, Massachusetts. He remains active as a concert artist, and continues to expand both his musical and literary horizons.
~~~~~~~~~~~~~~~~~~~~~

Don't forget - Chapter 1 of Death and Transfiguration right here on Wednesday!




Praise for Death and Transfiguration

“There’s just one word for this book: bravo!” (Starred review, Publisher’s Weekly)

“Elegantly structured to match the Richard Strauss piece from which the title comes, Elias’s fourth title (after Death and the Maiden) in his highly regarded series deserves a standing ovation. Think Donna Leon for pacing and thoughtfulness and Deborah Grabien for music’s integral role in the plot.” (Starred review, Library Journal)

“Brilliant and captivating on every level.” (Starred review, Booklist)

“Elias has a nose for creative detail and a refreshing impatience with pomposity. Indulge yourself in his artfulness.” (Kirkus Reviews)




Friday, May 10, 2013

Mother's Day Gifts for Everyone!

I plan to spend the weekend reading the page proofs of The Money Bird, my second Animals in Focus Mystery, which will be out in September. It's the sequel to Drop Dead on Recall and features many of the same characters. Fifty-something photographer and animal lover Janet MacPhail is back, if course, with her Australian Shepherd, Jay, and her orange tabby, Leo. Professor and major hunk Tom Saunders and his black Labrador Retriever, Drake, are busy training for a retriever event along with a bunch of other water-loving dogs. Goldie and Mom are back, and Giselle, and the twins.... Well, you'll just have to read the book, I guess!

In the meantime, here are a couple of free short stories featuring Janet and Jay, and quirky Alberta Shofelter. Jay wears his tracking harness and puts his superpowers to work in both stories. Okay, normal canine powers - but he isn't a protagdog for nothing!)


Tracks






 
"It all started when Alberta Shofelter asked me to shoot her dog. She offered triple my usual fee plus expenses and said that Jay could come along, so of course I agreed. Then the whole project whirled out of my control, and I found myself headed for an overnight ordeal in a Speedway motel."
 

Click here for the rest of the story.
 
 
"Tracks" appeared originally in Racing Can Be Murder, an anthology published by the Speed City Sisters in Crime (Indianapolis).






 
 
"Someone is out to get Alberta Shofelter. They’ve egged her new SUV and sprayed 'crazy cat lady' across her garage door. The diminutive calico she took in three weeks ago has been missing since last night, and Alberta is sure “they” have escalated to catnapping. I shove my cell into my pocket and watch Jay try to comfort Alberta. She isn’t quite weeping, but the little noises she makes are heart-rending."
  

"Missing Gypsy first appeared on Victoria Dougherty's "Cold" blog - click here for the rest of the story. 
.
Have a terrific weekend, and come back on Monday to find out how my guest, Gerald Elias, combines music and mystery. You won't be sorry!

~~~~~~~~~~~~~~~
Autographed copies of my mysteries, Drop Dead on Recall and The Money Bird (pre-order), as well as Rescue Matters: How to Find, Foster, and Rehome Companion Animals are available from Pomegranate Books in Wilmington, NC.