My guest today is author Richard Brower, who discusses his inspiration and wiritng process that led to his new novel, Keiretsu. Welcome, Richard. ~ Sheila
I get ideas for
my novels from newspaper articles that make me ask questions. The answers form my plots. Then I think up
characters to place in the story. All my characters are conflicted. Conflict is
the most important part of any novel.
Wondering how the characters resolve their conflicts keeps the reader
turning the pages. Once I have all
my notes on story and character I begin writing. I try to create a captivating first chapter with
hints to the main conflict. I strive to take
the reader on a journey that is never a straight line, but more like the line
of a gyrating stock market. However, one
thing remains constant―there
is CONFLICT in every chapter.
- As China’s military continues to grow will China try to exact its revenge on Japan?
- With China developing “carrier killing cruise missiles” to keep the American fleet at bay, can Japan continue to rely on the U.S. as their protector? More important will the U.S. go to war with China to protect Japan?
- Considering Nagasaki, Hiroshima and now the Fukushima melt down will Japan’s government build nuclear weapons? Will the people protest? Are the people in a state of denial about China’s threat?
- Even if they do
it secretly, the U.S. is bound to find out. With the U.S. demands that Iran and
North Korea halt their nuclear weapons programs, what will Japan do when U.S.
demands Japan cease and desist?
From the story I built the following
conflicted characters:
The Japanese Nagoyas
- Toshio Nagoya―ANTAGONIST. Ultra-nationalist CEO of Japan’s largest keiretsu; chairman of the Cabal.
- Michiko Nagoya―Toshio’s wife stuck in a loveless marriage.
- Ogato Nagoya―Toshio’s and Michiko’s son; his primary goal is to
garner praise from his father; works in America as liaison between Toshio and
John; obsessed with Gingi from the first day he saw her.
- John Nagoya―Second generation Japanese American; Toshio’s cousin; he seeks revenge against his country because at the age of nine he watched a mob beat his parents to death after their release from the internment camps; a lawyer, he aligns with Toshio and forms the PAC.
- Yoshi Nagoya―John’s wife. Loves everything American.
- Gingi Nagoya Morrison―John and Yoshi’s daughter; married to Danny Morrison; despises Ogato.
- Roger Nagoya―John and Yoshi’s son. With John away on business for long periods
of time, Yoshi raised Roger and Gingi with every advantage wealthy American
parents could give their children. Roger is the PROTAGONIST in conflict with
his father.
- Senator Ted Morrison―Powerful Senator; avid fighter against foreign companies donating money to America’s politicians and PACs.
- Sandy Morrison―Ted’s wealthy, socialite wife; enamored by her husband’s powerful position in the Senate; never accepted Gingi as her daughter-in-law.
- Danny Morrison―Ted and Sandy’s son born with a “silver spoon in his mouth”; not fond of working; likes to race sailboats and stock cars; married to Gingi Nagoya.
- Douglas Welfield―Sandy Morrison’s brother; state party chairman; does
a lot of business with the Japanese auto manufacturers; grudgingly supports
Ted; but not enamored with his brother-in-law’s political policies toward
foreign countries.
How did I learn to write?
I
read a couple of books and many magazine articles on writing, but in writing as
in life, the most important lessons come from doing. I was an avid
reader. If you want to write, first
read, read, read. If you read books with the idea that you may want to be
a writer, then you will consciously start analyzing how the author created his
work. When you start writing, write the type of story you like to read.
Once you begin your writing try to find a critique group that will give you honest feedback on character development, dialogue, voice, plot, conflict and setting. But don’t automatically take anyone’s critique as gospel. Remember, it’s your story. Analyze the critiques to see if they have merit. Say you have a six person group. If one person criticizes something then it may or may not be valid. But if three or four in the group say the same thing about a segment then you should take it under serious consideration.
I
hope my experiences will help you with your writing and publishing efforts. Once you begin your writing try to find a critique group that will give you honest feedback on character development, dialogue, voice, plot, conflict and setting. But don’t automatically take anyone’s critique as gospel. Remember, it’s your story. Analyze the critiques to see if they have merit. Say you have a six person group. If one person criticizes something then it may or may not be valid. But if three or four in the group say the same thing about a segment then you should take it under serious consideration.
Keiretsu
is published by L & L Dreamspell,
a medium size publisher in Texas. It is
available in both print and e-book editions wherever books are sold. If
you would like to read the first five chapters please e-mail me and I will send
them to you as an attachment. E-mail:
rich1braw@aol.com
Richard Brawer
writes mystery, suspense and historical fiction novels. When not writing, he
spends his time sailing and growing roses.
He has two married daughters and lives in New Jersey with his wife. Read the book jacket, excerpts and reviews of
all Richard’s books at his website.
~~~~~~~~~~~~~~~~~~~~~~~
Amazing complexity to the story and characters! Great interview. Thanks for the insights. www.dkchristi.com author of Ghost Orchid and more...
ReplyDeleteA really interesting interview. I often get ideas from newspaper and magazine articles as well. Usually it provides the germ for a short story. But my latest novel Death Legacy is based loosely on a real spy case.
ReplyDeleteCongrats on your new novel!
Best,
Jacqueline Seewald
A really interesting interview. I often get ideas from newspaper and magazine articles as well. Usually it provides the germ for a short story. But my latest novel Death Legacy is based loosely on a real spy case.
ReplyDeleteCongrats on your new novel!
Best,
Jacqueline Seewald
Hi Jacqueline,
DeleteThanks for reading and commenting on my interview.
Richard Brawer
Great article. Asking the right questions always helps me.
ReplyDeleteHi Leigh,
DeleteThanks for reading and commenting on my interview.
Richard Brawer
What a fascinating interview, Richard. I can't wait to read Keiretsu. It sounds like a terrific read.
ReplyDeleteA veritable tour de force, Richard. I can feel, taste and smell those conflicts. A must read, I can tell! (And a gorgeous blog site.)
ReplyDeleteThanks so much, Nancy! Can you tell I like color? Hope you'll come back, even when Richard isn't here. :-)
DeleteBeing an avid reader is how I think the best writers learn. Thanks for sharing this look into your process, Richard.
ReplyDeleteHi Jenny,
ReplyDeleteThanks for reading my interview and commenting.
Richard Brawer
www.silklegacy.com
Really interesting and an issue that I know is based on fact in regards to China's evolving power(per a friend who is in the Pentagon). I agree regarding conflict - both internal and external - it's what fuels the plot. And I agree with Nancy, the best way to learn writing is to read, read, read.
ReplyDeleteRichard, one of the most unique and informative interviews I've read. Thank you for taking us inside your writing techniques as well as letting us share your journey in your new work.
ReplyDeleteThanks,Betty, for taking the time to read my interview and commenting on it.
ReplyDeleteRichard Brawer
www.silklegacy.com
Hey Richard-
ReplyDeleteVERy interesting interview. Love the depth of characters. I too do a lot of 'what if' as well. Very cool.