Showing posts with label emotion. Show all posts
Showing posts with label emotion. Show all posts

Monday, May 27, 2013

In Memory of Our Companions in War

To commemorate Memorial Day, I am rerunning my post from last year. Here are some thoughts about the animals who do not make wars but live, and die, in them just the same. - Sheila


In Memorium: Our Companions in War


My grandmother was a poet. Squarely in the sentimental Victorian tradition, her poems were published in Scottish and Canadian newspapers and small-press collections in the late nineteenth and early twentieth centuries. I have several fat notebooks filled with her poems, handwritten and pasted in from print sources. Years ago I read my way through them as a way to know the woman who had faded a bit in my mind (I was five when she died). I read most of the poems, but honestly, only one stands out in my mind. It began, "Farewell, my noble friend, farewell," and even now I can’t think of it without feeling the tears well up. The copy in the notebook was yellowed and frayed at the edges. On the facing page was a clipping, a picture that had run in the Drumheller, Alberta, paper and, I’ve learned, many others. It immortalizes the death of a war horse and the grief of his soldier at his death.


Goodby, Old Man by Fortunino Matania


This image, long ago burned into my psyche, is a big reason that I have no desire to see the movie War Horse. I didn't know it at the time, but Italian illustrator Fortunino Matania not infrequently focused on the sad deaths of animals, especially horses, in the war.

Today is Memorial Day in the United States. This holiday, celebrated on the final Monday of May each year, is meant to honor those who have served in the American military. Originally May 30 was known as Decoration Day because one tradition of the day is the decoration of the graves of veterans, a practice that began during or just after the American Civil War (1861-65). The first official observation of remembrance was May 30, 1868, when flowers were placed on the graves of both Union and Confederate soldiers at Arlington National Cemetery in Virginia. By 1890, all Northern states had adopted the holiday, but most Southern states refused to do so until World War I, when the holiday was extended to honor the dead of all American wars.

We usually focus our national pageants on the human price of war. Here today, for a few moments, I ask you to again expand the meaning of Memorial Day and give a thought to the millions of animals who have served, suffered, and died in human wars over the centuries. Think not only of the heroes given our attention and honors, but also of the vast majority of animals recruited into military service who did as they were asked and died unsung. Spare a thought, too, for the millions of animals, domestic and wild, who died as "collateral damage" or by intentional slaughter for political or other purposes. (Hitler, for instance, had non-German breeds of dogs systematically exterminated in Europe.)

Books have been written on animals in war, so I won’t attempt any kind of thorough commentary. Instead, I give you a few photos and a few links to more information, and ask that, as we remember our service people, we also remember the animals.

Horses, Donkeys, and Mules

I can't think of an animal more suited by nature to peace than the equines, and yet horses, donkeys, and mules have been used in human warfare since, probably, the first person threw a leg over an equine's back. Without horses for speed and donkeys and mules for stamina, we as a species would certainly not be where we are today, and our history, especially the history of conquest and war, would have unfolded very differently.

"L" Battery, R.H.A. Retreat from Mons
This British Horse artillery unit made a heroic stand against advancing German troops during the retreat from Mons, Belgium on 1 September 1914. Mons stayed in German hands until liberated by Canadian troops on the last day of the war, 11 November 1918. L Battery R.H.A. How our Gunners Won the V.C. and Silenced the Fire of the German Guns in the Face of Overwhelming Odds. Retreat from Mons 1st September 1914. Print by Fortunino Matania. Canadian War Museum


There are many websites and books about horses in war, but a few I've found especially interesting include the following:

Horses, mules, and donkeys naturally became less important to most militaries after World War I, but they aren't out of the service entirely. In fact, they are being used by American forces today in Afghanistan, as shown on Olive Drab's page.

Carrier pigeons

Carrier pigeons have nearly as long a history in military service as do the equines. During World War I, the U.S. Signal Corps deployed at least 600 pigeons in France alone, and Britain used some 250,000 carrier pigeons during World War II. Paddy, an Irish carrier pigeon, was the first pigeon to cross the English Channel with news of success on D-Day. One of hundreds of birds dispatched from the front, Paddy flew 230 miles in 4 hours and 50 minutes. He is one of 32 carrier pigeons to be awarded the Dickin Medal, the highest British decoration for valor given to animals. Another recipient was an American pigeon, GI Joe (below).


To learn more about carrier pigeons who have served, start with these site:


The Dickin Medal

The PDSA Dickin Medal, recognised in Britain as the animals’ Victoria Cross, is awarded to animals displaying conspicuous gallantry or devotion to duty while serving or associated with any branch of the Armed Forces or Civil Defence Units. The Medal has been awarded to dogs, horses, pigeons, and one cat. The citations on the Rolls of Honour are moving tributes to the role animals play in our service during war, and to the courage of the individual animals who have received the medal.



No such medal exists in the United States as far as I know (please let me know if I've missed it in my search). In fact, in 2010 the Pentagon refused the request of military dog handlers to establish an official medal for valorous animals.


You're in the Navy Now

Although we tend to think of dogs and, sometimes, horses when we think of animals in the military, cats have also served in the military, often in the navy, like Pooli (below). For more great photos of cats in the Navy, visit Cats in the Sea Service .


"War Veteran - 'Pooli', who rates three service ribbons and four battle stars, shows she can still get into her old uniform as she prepares to celebrate her 15th birthday. The cat served aboard an attack transport during World War II." Los Angeles, 1959

Dogs, too, have served aboard ship, often as ship's mascots and de facto therapy dogs. Imagine how much fun the sailors on the USS Texas had with this gang in 1915. The Texas is now a museum near Houston and has been designated a National Historic Landmark. It is one of six surviving ships to have seen action in both World Wars. Check out the U.S. Naval Institute's Sea Dogs page for more canine sailors.





Love and War


Not all who serve fight, of course, and just having an animal to touch, to care for, and to love can be vital to a service man's or woman's emotional health.




Marine Pvt. John W. Emmons, and the Sixth Division's mascot dog sleep beside a 105mm howitzer on Okinawa, 1945. The Sixth Division suffered almost 2700 casualties during the battle, with another 1,300 being evacuated because of either exhaustion or fatigue. ( U.S. Naval Institute's Sea Dogs)



"Accepting her fate as an orphan of war, 'Miss Hap' a two-week old Korean kitten chows down on canned milk, piped to her by medicine dropper with the help of Marine Sergeant Frank Praytor ... The Marine adopted the kitten after its mother was killed by a mortar barrage near Bunker Hill. The name, Miss Hap, Sergeant Praytor explained, was given to the kitten 'because she was born at the wrong place at the wrong time'."
Korea, ca 1953 (From "Cats in the Sea Service")


As you prepare for your cookout or whatever else you have planned for the holiday, please take a moment to pause and remember what it's really about, and raise a glass to the all the souls - human, canine, equine, feline, avian, and more - the day is meant to honor.

Then hug your animals.














 



Wednesday, May 22, 2013

Life, Writing

Spring 2013 has been a tough one. Between catastrophic human-made and natural events and the venom so many people seem determined to spew at their fellow human beings, it makes me sometimes want to turn it all off, unplug, and wrap myself in earth, sky, sea, and the company of animals. And, of course, the good people who really are out there.

For today, though, I'm making this brief. I'm going off-line. This afternoon I will teach my class on memoir writing, and enjoy the company of a terrific group of people who come together each week to write and discuss. I walk out every week feeling inspired. This morning, I plan to read the copy-edited version of my forthcoming mystery, The Money Bird (more on that at my website). After my class, a walk in the woods or on the beach, whichever my fancy at the moment says is right.

But this is a blog about writing, so I'm going to invite you to read (or reread) my post "Writing What's Difficult: Finding the Balance." It fits into this week's news of devastating storms, and so much other news of the past few weeks. Then do something kind for someone else, and something kind for yourself.


My old Aussie boy Dustin
(Champion Brookridge Dustin U, CD, CGC, TDI)
and his 4-week-old son Taz.
Kindness incarnate.


 

Wednesday, April 24, 2013

Memoirs and "Memoirish" Nonfiction


My newest Write Your Memoir class begins this afternoon through the Cameron Art Museum's Museum School here in Wilmington, and I'm excited. I love teaching almost as much as I love writing, and the class is full, so I anticipate a rewarding and creative few weeks.

This class is focused on memoir, but memoir writers are everywhere you find writers. Whenever I teach writing classes, attend conferences, or participate in writing groups, there are invariable people present who are working on memoirs, or thinking about it. We (meaning "we humans," not just "we writers") have an abiding interest in our own stories. For a memoir to work for readers other than the author, though, it needs to be about more than me, me, me.



Let's get the confession out of the way: I'm working on two memoirs, too, or as I like to think of them, a "memoirish" nonfcition. Both of them weave my story into bigger stories, one of those about riding long-distance trains through the United States, the other about - surprise! - dogs. Let's talk about the doggy one.

Anyone who knows more about me than my name knows that dogs have been an important part of my personal and professional lives. So there's the core of the thing, the memoir part: me and dogs. And then there's the "ish" that makes it memoirish: the book is about dogs in a larger sense, about the linkages that have existed between our two species since we were both hunkering down in caves to gnaw on bones, which leads us to broader reflections on our place in the world and relationship to the creatures with whom we share it.

All of which prompted me recently to reread (for the fifth or sixth time) Vivian Gornick’s The Situation and the Story: The Art of the Personal Narrative (2001), which I highly recommend to anyone writing memoir and, really, most types of narrative nonfiction. It's a slim book but is not an easy read. In fact, I'm sure I haven’t grasped all the subtleties even yet. Still, Gornick’s main point seems clearly to be that effective personal narrative is neither plot nor setting nor structure nor emotion alone, but a rich amalgam of those elements and more. Nor is effective personal narrative an exercise in self-indulgent navel gazing; the author must, Gornick argues, transcend the self and take on a persona that "is the instrument of illumination."


Structure is essential. To illustrate, Gornick reflects on a eulogy that stood out among several others because the eulogist had imposed structural order on the things she had to say. As Gornick put it, "Order made the sentences more shapely. Shapeliness increased the expressiveness of the language. Expressiveness deepened association....dramatic buildup occurred....This buildup is called texture. It was the texture that...caused me to feel, with powerful immediacy, not only the actuality of the woman being remembered but – even more vividly – the presence of the one doing the remembering."

Structure, the rest of the book argues, is built up of a situation and a story told in the voice of the writer’s persona. Just as a novel has a narrator who is not the author, a well-written memoir has a narrator -- Gornick's persona -- who is not the author. That's a sticky distinction for most of us to make, but it makes sense when we realize that we tell our own stories differently for different audiences. Or, as Gornick might say, we take on difference personae for differing purposes.


Gornick defines "situation" as "the context or circumstance, sometimes the plot," including conflict between the persona and something or someone integral to the situation itself. "Story," in contrast, "is the emotional experience that preoccupies the writer; the insight, the wisdom, the thing one has come to say." It is, in other words, the persona’s complex response to the situation.



It is that persona(l) response to a situation - the situation of the book - that draws us in, but it is the larger meaning of personal story that keeps us there, fascinated by another person's story because, in the end, it is our story, too.

--

What are your favorite memoirs or "memoirishes"? I have a long list, but here are five that stand out for me, and they are all about much more than the authors who wrote them:
  • Refuge by Terry Tempest Williams
  • The Snow Leopard by Peter Matthiessen
  • Desert Solitaire by Edward Abbey
  • Narrative of the Life of Frederick Douglass, an American Slave by Frederick Douglass
  • Dog Years by Mark Doty

I hope you'll come back on Friday, when I will be suggesting some ways that you can help your favorite authors (which of course helps you if you want to read more from them!). You can sign up at the right for reminders, or follow my Facebook page or Twitter - I always post the link when a new post shows up here.

Friday, April 19, 2013

Respond to Darkness with the Light of Writing

This week I focused on how writers confront emotionally difficult material. Monday's post, Tough Calls - Handling Gritty Issues in Cozy Fiction, spoke to finding a balance between encouraging readers to learn more about serious issues and, well, keeping them reading when they're really in your book or story for entertainment. On Wednesday I switched to nonfiction with Writing What's Difficult: Finding the Balance. When I wrote those posts, I had no idea how timely they would be.

Bad news is around us always, but the past five days have been particularly wrenching here in the U.S. and a lot has been, is being, will be written about events that stir emotions. Aside from the public and communal responses, each of us has also had very personal responses, and those can be hard to express even to ourselves.

Let's try. That's what writers do, after all. And if you're "not really a writer" but rather a reader and citizen of the world, you might want to try this, too. You don't have to show it to anyone. You don't even have to keep it. But writing about the events that shake us, whether they are profoundly personal or widely shared, can accomplish several ends. Writing our way through can:
  • provide a means of expressing our feelings without limiting ourselves, because first drafts are for the writers' eyes only
  • clarify our thinking as we dig deep and refine, and hopefully move beyond raw emotion to deeper insights
  • help us move forward with better understanding of ourselves and, if we're lucky, the world around us.

So here's a writing prompt for the weekend, or for later.



Find a photograph to which you respond emotionally. Although it might be a news photo or something from the Internet, it doesn't have to be -- it might instead be a photo of a person or pet or place that has special meaning to you.
The emotion you feel does NOT have to be sadness or anger or pain - sometimes the best way past trying times is to focus on what lifts us. That is up to you - you're the writer.
 
Now write. I suggest you freewrite, that is, just write without stopping and without trying to control the direction. Let your writing take you where it will, because that is where you need to go. I also suggest that your allow at least 20 minutes, preferably a bit more, for this freewrite because it's like other forms of exercise - most of us need to warm up, and then we need to get past a "wall," a place where we just want to quit. I hit mine, writing and walking, at 20 minutes. You may hit it sooner or later. When you hit that wall, keep writing for at least ten more minutes. I think you'll find that the magic happens on the far side of the wall.
 
And now you can stop and put it away. I suggest you keep what you've written and come back to it later - you may find that it contains something you can use, or rereading it may prompt you to follow up with more freewriting.
 
Remember this: no writing, especially sustained writing, is wasted. Even the pages that make us wonder later how we could write such crap are useful. They help us build our creative muscle. Keep writing.
 
I would love to hear back from you if you use this exercise! Or comment below.
 

Books About Writing

 
Are you looking for a few good books about writing? Here are five the I highly recommend. Feel free to add to the list in your comments! (For earlier recommendations, see these earlier posts: Writing What's Difficult: Finding the Balance and Write Here, Write Now - I'm Back!)
  • On Writing Well by William Zinsser
  • In Brief: Short Takes on the Personal, edited by Mary Paumier Jones and Judith Kitchen
  • Writing a Book that Makes a Difference by Philip Gerard
  • Tell It Slant by Brenda Miller
  • On Writing by Stephen King
 
 

Have a creative weekend!